By Helena Goscilo,Yana Hashamova
This wide-ranging assortment investigates the father/son dynamic in post-Stalinist Soviet cinema and its Russian successor. participants learn complicated styles of identity, disavowal, and displacement in motion pictures by way of such different administrators as Khutsiev, Motyl’, Tarkovsky, Balabanov, Sokurov, Todorovskii, Mashkov, and Bekmambetov. numerous chapters concentrate on the problems of satisfying the paternal functionality, whereas others convey how vertical and horizontal male bonds are time and again strained by way of the strain of redefining an embattled masculinity in a moving political landscape.
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